Expansion of the "Essen Fairgrounds"

Essen, 德国
照片 © Messe Essen GmbH
照片 © Messe Essen GmbH
照片 © Messe Essen GmbH
照片 © Mario Bellini Archive
© Mario Bellini Archive
照片 © Messe Essen GmbH
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Messe Essen GmbH
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
© Messe Essen GmbH
照片 © Messe Essen GmbH
照片 © Messe Essen GmbH
照片 © Messe Essen GmbH
照片 © Mario Bellini Archive
照片 © Messe Essen GmbH
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Mario Bellini Archive
照片 © Messe Essen GmbH
建筑师
Mario Bellini Architects
年份
2001
客户
Messe Essen GmbH
团队
Mario Bellini with Loretto Buti and Carlo Malnati, Collaborators: Giulio Castegini, Antonio Borghi, Reinhold Wuttke, Giovanni Pigni, Alexandra Von Geyso, Mio Shibuya, Marco Piccione, Luca Rossi, Matteo Bulli, Egle De Luca
General Contractors
Phillipp Holzmann AG, Stahlbau Queck, CLaus Queck GmbH
Photovoltaic system
Flabeg Solar Int. GmbH
Structural Engineers
ARUP GmbH
Local architect
HHS Planer+Arch. BDA
Kassel Landscape
LAND Srl, Milan/Duisburg
M&E Services
Gertec GmbH

International competition: Winning Project.

After doing the Milan Fairgrounds, Bellini was called to realise a project to add on the Essen Fairgrounds.
The new pavilion, an extension of the city’s historical fairgrounds, recalls – albeit with different formal results – some themes which Bellini had already explored in past projects.
The project is safe, it solves the functional and distributive issues and thus concentrates on emphasising the values of the places suggested by functional programme: paths, large coverings and definition of the exterior of the building.
The roofing of the pavilion is surprising, inside, for its size and for the theatrical effect created.
A glass gallery with vaguely semi-circular sections leads visitors into the pavilion and the exterior covering of coloured cement defines the façades.
The dialogue with the city comes at the only possible point: a semicircular “nose” faces out onto the street accompanied by a long tail characterised by the design of the windows and by the variously inclined septums that support its movement.

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杂志

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